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Reporter: Chris Cunningham
Info: Hockey enthusiast, Middle East Watcher and all around good guy :) #SwingTrader & broke travel sports supporter.

 

info: The iconic Merce Cunningham and the last generation of his dance company is stunningly profiled in Alla Kovgan's 3D documentary, through recreations of his landmark works and archival footage of Cunningham, John Cage, and Robert Rauschenberg

Genre: Music

Brandon Collwes

Alla Kovgan

audience score: 103 Vote

 

Cunningham free download. Soothing.

  • Great to see a film about dancing! A relatively unexplored sub-genre of documentary, and Cunningham was welcome for this alone. It adds to a hole that I suppose Wenders' Pina opened.

 

  • On that note, this film should not have been shot in 3d, which added nothing but nausia. We expect the 3d was entirely for the purpose of (a) copying Pina and, relatedly, b) getting funding. But Cunningham's dances are far less spectacular and their presentation here likewise. The 3d only distracts from the movement in all but one Warhol-involved set, especially when edited with 2d archival.

 

  • First half entertaining, second boring. The film progresses at a monotonous pace: one thing happens and then another and then another. No real conflict or tension.


Which is a problem. Because there evidently was plenty of this, but only in reality. The movie, on the other hand, brushes past unconvincingly. No one in the film is given space apart from Cunningham - everyone else speaks to convince the audience how great he is. I wanted to hear from one of his female dancers honestly, in long form, of the darkness of Cunningham. This would help to flesh out his character, give us something to chew on, and organise the film into a narrative. As is, we grew progressively distrusting and disengaged with the Greatest Hits/ Victory Lap tone, before the film ends suddenly with the news that all his dancers left.

  • Ultimately we were left unconvinced that Cunningham (the dancer) was all that interesting. Fashionable certainly, he's attached to the right people, and I'm sure it would be great to be dancing as him, but the just-over-half-full prime-time-at-the-festival cinema was an endless circuit of yawns.

 

  • Nevertheless we feel cultured now.

 

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THE FIRST SONG MY KING MICHAEL SEND ME. 1 win & 6 nominations. See more awards  » Edit Storyline Even for those who know little about dance, Merce Cunningham is a recognizable name - an iconic figure in his field. His mid-20th century collaborations with composer John Cage (his lifelong partner) and visual artist Robert Rauschenberg were central to an era of transformation. Cunningham resisted "avant-garde" or any other label. "I don't describe it. I do it, " he once said. Now, with Cunningham, we have a chance to experience what he did. Filmmaker Alla Kovgan assembles the last generation of Cunningham dancers (led by Merce Cunningham Dance Company assistant director of choreography Jennifer Goggans) to present landmark works from the Cunningham repertoire. The film concentrates on the three decades from 1942 to 1972 when Cunningham was making his reputation. Gorgeously shot in 3D, Cunningham brings us closer to these works than any audience has ever been before. Taking an inventive approach with locations, the film places dancers in evocative backdrops such as a tunnel, a... Written by Toronto International Film Festival Plot Summary | Add Synopsis Taglines: One choreographer defined 20th century modern dance. See more  » Details Release Date: 13 December 2019 (USA) Box Office Opening Weekend USA: $18, 422, 15 December 2019 Cumulative Worldwide Gross: $211, 175 See more on IMDbPro  » Company Credits Technical Specs See full technical specs  ».

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Pennywise if he was gay -Jordan 2019. I cant stop listening to your songs it so amazingggggg and speciallll and oh your voiceeee 😭😭😭❤️. Merce Cunningham was a dancer and choreographer known for his long-time collaboration with avant-garde composer John Cage. Synopsis Merce Cunningham was born on April 16, 1919 in Centralia, Washington. He later joined Martha Graham's dance company and choreographed his own works using music from composer John Cage, who became his partner. In 1953, Cunningham formed his own company and garnered wide acclaim over the decades for his innovations while also collaborating with other artistic visionaries. He died on July 26, 2009. Early Life Born on April 16, 1919, in Centralia, Washington, Mercier Philip Cunningham became one of the most innovative and influential choreographers of the 20th century. He took up dancing at a young age. "I started as a tap dancer, " he told the Los Angeles Times. "It was my first theater experience, and it has stayed with me all my life. " In his teens, Cunningham studied with Maude Barrett, a circus performer and vaudevillian. He briefly attended George Washington University before enrolling at the Cornish School of Fine Arts in Seattle in 1937. There he met composer John Cage, who eventually became his partner in life and work. Cunningham changed majors during his time at Cornish, switching from theater to dance. He choreographed his first dance pieces while at the school. Career Highlights A gifted dancer known for his powerful leaps, Cunningham was invited to join the Martha Graham Dance Company in 1939. He spent several years with the group, performing lead roles in such productions as El Penitente in 1939 and Appalachian Spring in 1944. Also in 1944, Cunningham debuted some of his solo works that he choreographed, including Root of an Unfocus, featuring music by Cage. Over the years, Cunningham developed his own unique choreography process. He created the choreography for his pieces separate from the music. The two elements were only combined during final rehearsals or at the time of the performance. Cunningham also liked to incorporate chance into his choreography, using dice and The I Ching to determine how the dancer should move. The following year, Cunningham left Graham's troupe to branch out on his own. He also continued to develop numerous solo pieces with himself as the dancer. Then in 1953, he established the Merce Cunningham Dance Company. Cage composed the music for many of the company's productions. Artist Robert Rauschenberg worked as a designer early on. Later Cunningham collaborated with other artists, including Andy Warhol and Roy Lichtenstein. Cunningham first found great acclaim for his avant-garde works abroad. His company wowed audiences in London in 1964 during their first international tour. As the years progressed, Cunningham kept looking for new ways to innovative. He started to choreograph using a computer animation program in the 1990s. He told the Los Angeles Times: "The computer allows you to make phrases of movements, and then you can look at them and repeat them, over and over, in a way that you can't ask dancers to do because they get tired. " Death and Legacy Cunningham celebrated his eightieth birthday with a special duet with Mikhail Baryshnikov at New York's Lincoln Center in 1999. By this time, he had become physically fragile but was still as imaginative as ever. Cunningham debuted Biped that same year, which incorporated computer-generated imagery alongside his dancers. Cunningham created several more dance pieces before his death. He passed away of natural causes on July 26, 2009 at his home in New York. His namesake dance company went on a two-year tour after his death as a tribute to the great choreographer. After the tour, the company closed its doors. The Merce Cunningham Trust was established to preserve his works, including more than 150 dances, and his legacy. During his nearly 70-year career, Cunningham received numerous honors. He won two Guggenheim fellowships—in 1954 and in 1959. In 1985, Cunningham received the Kennedy Center Honors and a MacArthur Fellowship. He also was granted several honorary degrees from such schools as Bard College and Wesleyan University.

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